البعد املثالي للمنحوتات املدورة آلهلة اإلغريق Fine.zainab.sami@uabylon.edu.iq 6161
Abstract The first chapter includes the formal frame for the search paper including its problem based on the following questions: how does perfect dimension become in making the artistic image for rounded sculptures of Greek gods? Do sculptures change in their shape because of the perfect philosophical facts? The importance of the search paper is clear in following up the Greek religious thought through the gods' sculptures, nature and worship practices. So the research contributes, to some extent, to provide a form about the Greek religion and nature. The research also clarifies the Greek philosophy, especially the perfect philosophy, and identify the philosophy effect on the concepts of beauty and art especially the gods' sculptures. It provides a cognitive achievement which contributes to educate searchers in history, art and beliefs because it has useful information about such topics. It contributes to make the students of the fine art college and institutes understand all these aspects. The search goal is identifying the perfect dimension in the rounded sculptures of Greek gods. The search limits are limited to the period extended between the fourth century and the first one B.C for the Greek State. It is identified in studying the perfect dimensions for the rounded sculptures of Greek gods. The second chapter of the research is about the theoretical frame which includes three topics. The first topic is about following up the perfect dimension in the Greek philosophy, the second one is about Greek perfection, religion and legends. The third topic is about the perfection in the Greek graving. The third chapter includes the search procedures like the sample (65) from the community, 6 templates are chosen purposely to be the sample of the current research. The researcher depends on the descriptive analytic topic that copes with the search nature and the indicators concluded from the theoretical frame of the research that are described as indicators. The last chapter includes the results as 1- the Greek gods are embodied in different shapes like human (masculine ) as in template number (2,3,4) and feminine as in template (4,5) and superstitiously as in template number (1). 2- the idealism in the rounded sculptures for Greek gods is embodied through the realistic embodiment for human shapes. The Greek sculptor makes a value for the human body (shapes) and tries to reach the genuine idealism by the divine perfection as in templates number (2,3,4,5,6). The researcher provides a number of conclusions like 1- the variety of the rounded sculptures for Greek gods. 2- the rounded sculptures for Greek gods have embodied a state of superstitious thinking that is close to the idealism image. This chapter is ended in recommendations that the researcher thinks that must be taken into consideration in the future. Recommendations are represented by 1- put the topic of idealism for the Greek in the subject of art history and must be supported by pictures 2- including the artistic topics for the Greek artistic templates and their effect on the next arts and eras. After the recommendations, the researcher suggests making a study about " the shape of the prominent graving of the Greek gods. The last thing is the references. Keywords : perfect dimension, Greek gods, rounded sculptures, Greek religious thought. 6161
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